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Presonus StudioLive Series III SE 16

5.0 ud af 5 stjerner fra 2 kundebedømmelser ()
Presonus StudioLive III SE Price Drop

For a short time at a special price!

This product is particularly cheap from 01.09. up to and including 22.09.2026. This is a limited time offer - so grab it quickly and save!

32-Channel Digital Mixer with Built-In 64x64 USB Recording Interface

  • Extensive compatibility thanks to Milan certification
  • 32 mono inputs (analogue and AVB)
  • 16 XMAX preamp
  • One stereo tape in plus two stereo aux in
  • Main stereo output plus one mono sum output
  • Ten balanced mix outputs (6 x XLR, 4 x TRS jack)
  • Two balanced TRS jack monitor outputs
  • 26 buses
  • Four sub groups and 24 DCA groups
  • 17 touch-sensitive motorised faders (16 x channel and 1 x main fader)
  • 16 FlexMixes: Can be configured as AUX, subgroup or matrix mix
  • Multi-effects processor with four slots for loading effects
  • Extensive parameter sets for reverb and limiter
  • Fat Channel plugins per channel (all eight compressor and seven EQ models from the Fat Channel Collection)
  • AVB network compatible
  • Up to 34 tracks can be recorded directly to the on-board SD card recorder
  • Password-protected user profiles
  • 64x64 USB audio interface for easy live recording and virtual sound checks thanks to included software such as Studio One Pro and Capture
  • Deep integration of hardware into software - Fat Channel plugins can be operated in Studio One
  • UC/Metro enables remote connection to the mixing console via the Internet and mixing, including monitoring, with the UC Surface software (included) – ideal for producing live streams.
  • Weight: 10.5 kg
  • Dimensions (W x D x H): 446 x 583 x 165 mm
  • Includes Fender Studio Pro Perpetual (download) and Fat Channel Collection (download)
  • Fås siden August 2025
  • Artikelnummer 622962
  • salgsenhed 1 stk
  • Max.number of input channels 32
  • Microphone Inputs 16
  • Analog Line Inputs 8
  • Analog Line Outputs 14
  • Analog in/ out with plug-in card expandable No
  • Digital in-/ outputs expandable No
  • Word Clock No
  • Motorfader Yes
  • Computer interface USB, Ethernet
  • MIDI-interface No
  • User Interface Physical/remote
  • Number of faders 17
  • DSP Input channels 32
  • DSP Output Channels 22
  • Busses 26
  • Number of Microphone Inputs 16
  • Number of Mono Line Inputs 8
  • Number of Stereo Line Inputs 3
  • Physical outputs 16
  • Digital stagebox connection AVB
  • Ethernet Ethernet
  • Hotspot No
  • Special Features AVB / Milan
  • Multitrack Record Yes
  • Soundcard interface USB-B
  • integratated Player/Rec via USB/SD Multitrack
  • Recorder Format WAV
  • Scribble Strips Yes
  • RTA Yes
  • FX Processor 4
  • 31 Band EQ 8
  • Delay Input Yes
  • Delay Output Yes
  • Matrix 16
  • DCA/VCA Groups 24
  • MIDI Interface No
  • Sample rate 48 kHz
  • Monitor Apps Yes
  • Separate Personal Monitor system Optional
  • Expansion Card slots 0
  • Digital ADAT No
  • Digital SPDIF No
  • Digital AES3/ASESEB Yes
  • Digital MADI No
  • Digital Dante No
  • 110V capable Yes
  • Case Optional
  • 19" Rackmount Optional
  • Height 165 mm
  • Width 447 mm
  • Depth 583 mm
  • Weight 10,5 kg
13.190 kr
-9% 30-dages-bedste-pris: 14.490 kr
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5 / 5

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google translate gb
Der opstod en fejl. Prøv igen senere.
P
Must have superb Mixer/DAW controller
Pfounds 09.04.2026
Best features ever seen on any mixer I have used, super easy to manage and manipulate. Integration with Studio PRO was flawless. Fantastic build quality and looks amazing.
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google translate fr
Der opstod en fejl. Prøv igen senere.
RF
Utilisation PreSonus StudioLive 16SE
Rivaldo FLEURISTAL 18.05.2026
Après plusieurs mois d'utilisation à l'église, je suis très satisfait de la PreSonus StudioLive 16SE. Très bon en rapport qualité prix et très polyvalent !

Sachant que j'ai acheter le boitier de scène PreSonus NSB 16.8 qui fonctionne très très bien sans bug.

Juste quelques soucis de bug au niveau de l'écran tactile qui peut être by-pass avec les commandes.

Globalement PreSonus a un très bon eco système.
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