KM
Absolutely brilliant sound!
If truly breathtaking ambient reverb is what you´re looking for, this is the Holy Grail.
Immersive, endlessly evolving reverberation with lush organic lo-fi modulation that transforms any sound into beautiful multi-textural soundscapes!
I use the Slöer on the line-out of my Hydrasynth (ASM) synthesizer which is utilized for my ambient electronic music productions.
I have to mention that the Slöer produces an incredibly wide stereo field, so beautiful it´s almost mesmerizing.
The pedal came to me with one knob completely detached which is a shame for a Walrus Audio product. Luckily the tiny allen screw was loose in the box and I had a small allen key to screw it back, so this problem was fixed.
Lastly this pedal is made sturdy like a tank - all its parts are made of metal and it "reeks" of high-quality components.
Immersive, endlessly evolving reverberation with lush organic lo-fi modulation that transforms any sound into beautiful multi-textural soundscapes!
I use the Slöer on the line-out of my Hydrasynth (ASM) synthesizer which is utilized for my ambient electronic music productions.
I have to mention that the Slöer produces an incredibly wide stereo field, so beautiful it´s almost mesmerizing.
The pedal came to me with one knob completely detached which is a shame for a Walrus Audio product. Luckily the tiny allen screw was loose in the box and I had a small allen key to screw it back, so this problem was fixed.
Lastly this pedal is made sturdy like a tank - all its parts are made of metal and it "reeks" of high-quality components.
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S
impressive
It is a fantastic effect pedal, but a bit of a one trick pony.
Not versatile at all despite all its modes as even at minimum decay the reverb is VERY long lasting.
I tend to prefer it for synth uses, or very extreme guitar ambiances as it shines in the extremes.
Not versatile at all despite all its modes as even at minimum decay the reverb is VERY long lasting.
I tend to prefer it for synth uses, or very extreme guitar ambiances as it shines in the extremes.
5
1
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